The convention of doubling back on the point of view to show different aspects of the same scene?
Hitchcock, sort of - he used it a bit in
The Trouble With Harry. Brian DePalma has used it a couple of times and critics seem to think of him as a poor man's Hitch.
Blow Out uses it as does 1966's
Blow Up.
Even
The Man Who Shot Liberty Valence used it, but in a flashback scenario...and I think I know which French film you're refering to, though it's name escapes me. I see Jean Paul Belmando as the lead...but I could be brain farting...and if Orson Welles never used it, I would be surprised, although I can't think of a specific movie of his which used it - maybe
The Third Man in a flashback...the original
Italian Job?
I do think that QT's use of it is the best example of
How to do it - the editing and timing are as close to perfect as one could hope. Seamless, continuity between actor placement and camera shots - magnificient!
One "convention" that jumped out at me was the way he used long, slow shots of someone going here or there but unlike most shots of these kind which feel like padding, he keeps it interesting and even builds tension, and he does it at least 4 times in Jackie.
I would be willing to bet that we'd have to go back to a silent movie to find the origin of that sort of back-and-forth POV gag. Be fun to find the first instance of it...
by
MedfordTim on
03/14/2010 06:12:24 PM EST
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