Could A 'Piracy Tax' Ever Work?

Whether it's Guy Hands and his handling of EMI, or the epidemic of illegal downloading, the music industry seems to be perpetually in crisis in one form or another. In all fairness to the major labels, artists and distributors, attempts to limit the damage caused by 'Peer-2-Peer file-sharing networks', in the form of programs such as iTunes, ringtone sales, and through interactive forms of marketing, have been very creative. However, by not radically addressing issues of the pricing and quality of the product offered by the music industry, have the most important factors of the entire saga been ignored?
 

The newest in a long line of attempts towards a solution to the biggest obstacle for the entire music industry has come, perhaps surpriisingly, from the UK Government. Communications Minister Lord Carter has urged the Rights Agency to toughen up on online piracy by levying a 'copyright tax', or 'piracy tax', on Internet Service Providers such as AOL, BT, Orange, Sky and Virgin. This additional cost for the companies would come hand in hand with legislation that would make it easier for the providers to prosecute those users who continaully infringe copyright law.
 
Groups from across the political spectrum have been quick to attack the move, claiming that companies would feel no more obligated to prosecute their customers because of the tax, which could so easily be covered by increased prices for internet access. The Liberal Democrat spokesman for Culture also raised the issue of whether the system merely punishes the majority by allowing their Internet Service Providers to spy on them to a greater extent in an attempt to quell the criminal activity of the minority.
 
Whilst both of these rejections are valid, what they strangely ignore is the music industry and its practices. Amongst artists there seems to be two broad schools of thought on the issue. Thom Yorke is an exponent of the idea that illegal downloading has been spawned and exaccerbated by failings in the capitalist system to deliver desirable goods on terms favourable to the consumer. The music industry is overcharging for a product that can be produced quite cheapy, the radio doesn't play songs people want to hear, and music television is not entertaining enough. Crucially, it is claimed that all don't do enough to help uncover new music.
 
The opposing view, held by the likes of Bono, is that money or access has little to do with people's motivations for downloading music illegally. It isn't logical to assume that consumers baulk at the idea of paying £10 for a CD album when they fork out up to five times as much on video games. The truth of the matter, they say, is that music is simply too easy to steal. Conventional theft from a store at least carries the risk of being caught and prosecuted. Online, the risk is decreased to such an extent that it actually more convenient to steal than to buy.
 
Whichever view you take (in fact, they could probably both be right) I'm still surprised it is the Internet Service Providers who are expected to prosecute all these illegal downloaders. Surely the crime is committed against the artists and their records companies, and it should be their responsibility to look after their own interests. Whilst I think the Liberal Democrats were naive to think that it was such a small group illegally downloading music, they were right to point out that not only would ordinary users have to endure increased surveillance as a result of this proposed legislation, but higher costs for access to the Internet also, whether because of a 'piracy tax' or the cost to corporations from taking out so many lawsuits against their own customers.
 
Capitalists have pushed for de-regulation when it has suited them, but whether it's the banks, or the music industry, when they are in serious trouble it seems the general public have to step in to prevent the rightful turn of events according to the capitalist belief system. If a business can't sustain itself, it should fall. That is the entire idea! It is the underpinning characteristic that is supposed to maximise the efficiency of the economy and keep the market on favourable terms for the consumer. The Government should make it as hard as possible for crimes to be committed in all cases, but it should not be the responsibility of separate corporations or the Government itself to prosecute in such instances.
 
Put simply to conclude, if the music industry could not afford to protect its interests and look after its own affairs, so long as conditions were fair, then essentially it is the fault of the industry for not moving quick enough to solve its own problems and eradicate its own weaknesses. The reprocussions of that may negatively affect me, in that I may not be able to purchase as much music as I used to, but it's not my battleground.
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Isn't the price of a CD already an "anti-piracy tax"?

by MedfordTim on 01/30/2009 07:46:47 PM EST

I'm sure part of the justification from the record industry of charging the prices they do is exactly that, to cover their lost potential earnings as a result of theft. However, whilst it may be softening the blow for the companies, it isn't really getting to the root cause of why so many people steal in the first place, because the level of stolen tracks and albums is not decreasing, as far as statistics can determine.

by Rhys Jenkins on 01/30/2009 07:57:24 PM EST

[ Parent ]
Isn't the price of a CD already an "anti-piracy tax"?

You took the words right out of my mouth. In fact, I think you illegally downloaded the words right out of my mouth. And now I can't afford my third home in the Bahamas anymore.

by OneHitKill on 01/31/2009 05:36:52 AM EST

[ Parent ]

Since myspace, and cheaper pc recording software, labels are becoming less and less crucial for the success of an artist.

I'm really glad there's a Thom Yorke quote in there, Radiohead basically developed a very interesting business model for musicians. You should google to read more details about it, but basically after being a slave for so long to their label, they released "in colors" through their own label for free on their website and told their fans to pay whatever they could afford for it. They got donations averaging $5, but some were $200.

They ended up making WAY more money on this album than any other album previously released by Radiohead. It was a great, generous but risky idea that paid off big for them.

I personally am against buying albums for the most part, because the bands do not hardly see any type of monetary gain from the album itself unless they are selling millions and signed a good contract (which does not happen often)

I'll download music and when I find music that I like a lot, I will spend money on their tshirts and other merchandise, and travel to watch them play a show. That's where bands get their money from, merch sales and touring.

So if you'd really like to support your favorite band, go see them on tour, and buy a shirt or two.

by diglass on 01/30/2009 04:46:17 PM EST

Thank you for your comment. I'm actually quite a big Radiohead fan, and so know all about the 'In Rainbows' experiment. (If you were interested, I paid £40, at that time the equivalent to $82 for the limited edition discbox which entitled me to a free download). Whilst they did a greater share of the profits from 'In Rainbows' than any previous album as they released it themselves (approx. £1.70 for every £10 from CD sales goes to an artist under label, assuming they also have written the songs on the abum), I'm not sure it was actually the most they have made from a single album. As far as I know, OK Computer still holds that record. Thank you again for responding though.

by Rhys Jenkins on 01/30/2009 07:40:45 PM EST

[ Parent ]

From the research I did about this last year, OK Computer may have moved and sold more units than In rainbows, but Radiohead has made more money off of in rainbows than any other album they have released.

My source could have been wrong, or could have said "predicted to exceed ", but I remember using the citation with a link.

by diglass on 01/31/2009 03:17:55 AM EST

[ Parent ]
What is really failing is not the artists, but the huge and powerful industry that has built up around them to expliot their art and syphon off a massive profit.  As has been said, that industry is becomming less and less important as artists are more empowered to suceed or not suceed based upon their tallent and the product they deliver than based on who their label is.  What the industry is fighting so hard against is the true democratization of the industry and their subsequent loss of ultimate power. 

by alphasigmookie on 01/30/2009 05:17:30 PM EST

Whilst to an extent I agree with both your points, and the comment before yours, regarding artist empowerment of artists and how much easier it is to take a DIY approach to music-making and still be successful, record companies still play an important role in paying for early tours and expensive recording studio time at the beginning of an artist's career. Also, whilst digital equipment may be cheaper than ever, it still can't be called truly 'cheap', nor can purchasing quality or 'high-end of the market' instruments, so this empowerment movement seems to be only really benefitting prospective musicians who were quite well-off to begin with, at least for now.

by Rhys Jenkins on 01/30/2009 07:45:20 PM EST

[ Parent ]

Times changed, and music companies refused to change with them.  Many begin to cry about the downturn in CD sales and immediately blame piracy for it.

Is it piracy's fault?  A little bit, yeah.  (Though even here, I have seen a counter argument that states individuals who pirate music/software, also tend to purchase more music/software than non-pirates.)  But it's also the fault of these companies that did not adapt to the new digital age.  Who wants to carry around a CD these days?  Honestly now.  Portability is hugely important, and nobody wants to lug around a gigantic stack of CDs when you can simply have your iPod carrying thousands of songs handy.  Nobody buys CDs because of how inconvenient they are.

Last year, I remember reading an article that found the iTunes store is outselling Wal-mart (or something) in music sales.  iTunes is going in the right direction.  They adapted to the changing world and profited from it.

Instead of going around and angering potential customers by immediately assuming they're criminals, why not find out what they want?  Find out what will get them to buy the products.

As far as I know, strip-searching individuals entering your store is a bad way to gain and keep loyal customers.  So why would it work in the digital age?  Silly antiquated businesses...

by invert on 01/31/2009 05:07:43 PM EST

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